Chatillon-DeMenil Communiqué, Volume 3 - Spring 2024

Chatillon's Bend to the Saluda Exchange

In 1848 Henri Chatillon, recently returned a widower from guiding Francis Parkman on his Western exploration published as The Oregon Trail, married the widow Odile Lux and together they built a Creole style brick farmhouse in 1850 on twenty-one acres stretching down to the river. Life on the hill overlooking the Mississippi River at what became known as Chatillon’s Bend, south of St. Louis, while comfortable, must have felt like a gilded cage compared to the freedom of the frontier. Gone was the thrill of the hunt and the camaraderie of fellow trappers around a campfire.

The farmhouse at Chatillon’s Bend

In 1856 French born Doctor Nicolas DeMenil and his business partner Eugene Miltenberger bought the farmhouse and land, fueling the Chatillons' new adventure as the landlords of a tavern located at 26 South Levee St., in the heart of the St. Louis waterfront, not far from Odile’s late husband’s fifteen room residence/store on 4th, north of Almond, according to the 1845 Green's Directory. We can imagine that Henri (if not Odile) saw potential – a chance to recreate the western camaraderie he missed at Chatillon's Bend, albeit in a different form.

Henri poured his energy and Odile’s savings into the tavern, transforming it into the Saluda Exchange. The simple interior of number 26 was most likely adorned with worn maps, animal hides, and trophies from his past trips out west. The air thrummed with the lively chatter of travelers, explorers, and locals seeking solace or a raucous evening.

The Saluda Exchange became a place where toasts were exchanged, friendships forged, and dreams ignited.

Henri Chatillon may have traded his farmhouse for a tavern, but he never truly left the frontier.


 

Alexander DeMenil's Office Building

The DeMenil Building was financed and built by Alexander Nicolas DeMenil when he was 45 years old. The architect was Isaac Taylor, who also designed elements of the 1904 World’s Fair (of which Alexander was a director), the Globe Democrat Building, the Public Library, and the Planters’ Hotel.

Known about St. Louis as a writer, politician, lawyer, and publisher of the first literary magazine west of the Mississippi, The Hesperian, Alexander was a direct descendant of Marie-Thérèse Bourgeois Chouteau, a founder of the city. Built next to the Wainwright Building, Alexander’s seven story Romanesque building became home to tenants as diverse as St. Louisans of the Guilded Age: lawyers, dentists, architects, and engineers. Ads for the office building in The Hesperian promoted its fireproof design, hot and cold running water, and commodious office spaces, as well as electric heat.

Image Courtesy: Missouri Historical Society

The DeMenil was a smaller cousin of the Wainwright building, and, when investigating the ultimate conversion of the Wainwright to a Missouri State office building, the DeMenil was passed over as non-historic, even though it qualified as worthy of the National Register. The Wainwright, an early skyscraper, is perhaps the most architecturally remarkable building in St. Louis’ once vibrant downtown. One of architect Louis Sullivan’s early works designed and built during the period he employed Frank Lloyd Wright as a draftsman, the Wainwright and its younger cousin, the DeMenil, became centerpieces of Real Estate Row, at Seventh and Chestnut streets.

Alexander DeMenil’s office building was demolished in 1976, about the same time as the Chatillon-DeMenil's Carriage House was expanded and modernized to include a restaurant.


 

Restoring Restroom and Pantry After 16 Burst Pipes

Winter's icy grip can wreak havoc on historic houses, and unfortunately, that's exactly what happened to the back pantry and restrooms in the mansion during the Christmas season over a year ago. A late December freeze paired with a furnace failure caused 16 pipes to burst between the 1st and 2nd floors, sending a torrent of water flooding the pantry and restrooms. The once functional and inviting spaces were left with warped flooring and crumbling plaster. The outside walls of the restrooms were discovered to have been plastered directly on the outer course of brick. No lath or insulation!

The first step involved the demolition of the affected areas. Removing the damaged plaster and flooring was essential to prevent mold growth and allow for proper drying and damage assesment.

Once the space was dry and opened up, the rehabilitation began. The Restoration Committee opted for white and black 19th century style tile flooring in both the pantry and bathrooms. They also set up the domestic water supply so that it could be drained during the winter months when the mansion is closed.

Beyond the functional necessities, the Committee incorporated some design upgrades. They replaced the outdated domestic toilet with a commercial handicap accessible model. In the pantry, they installed the old shelving but new cabinets for a donated dishwasher and a larger sink that improves storage space, creating a more organized environment. A donated refrigerator/freezer now adds another layer of convenience to the pantry.

The final step reflecting the Committee's sense of style added a fresh coat of paint in pantry, hallway, and restroom, along with reproductions of the original baseboards, warped by the deluge, breathing renewed life into the space.


 

West Visitor's Entrance: 2024 Annual Appeal

Standing sentinel for almost half a century, the cast iron and limestone West entrance gate to the mansion whispers stories of a bygone era. Yet, time and the elements have taken their toll, leaving their mark on its once-proud form. To ensure this gateway to the past remains a testament to history, immediate renovations are crucial.

The intricate ironwork, likely forged in a foundry long since shuttered, has resisted aging to a large degree; however, the elegant limestone pillars flanking the gate and its steps haven't escaped the ravages of time. Especially hard hit have been the side walls flanking the steps which have suffered the freezes and thaws of almost four decades of winters.

Dedicated in 1981 to the chief motivator of the mansion's restoration, Chapin S. Newhard, the gates' excessive cracking, spalling (flaking of the surface), and settling of the pillars necessitates intervention. Historic stone masons have been consulted to evaluate the extent of damage and recommend appropriate restoration techniques, including partial or full stone replacement. The projected cost of the restoration will be approximately $20,000.

The gate's functionality also demands attention. Over time, the hinges (set into the limestone with lead) have become misaligned, causing the gate to sag and stick. Realignment and resetting of the hinges is necessary to ensure continued smooth operation.

Restoring the historic gate is not just about aesthetics and public safety; it's about preserving a piece of the community's heritage. By addressing the challenges posed by time and the elements, we ensure this gateway continues to welcome visitors and serve as a silent storyteller, enriching the experience of the mansion and its surroundings.

An amount of money has been set aside by the Foundation as matching funds, a common practice in the world of restoration projects. The Foundation will provide a portion of the funding for the project, but we need to have our members and friends to donate the remaining funds. This means the Foundation will provide a dollar for every dollar raised by the appeal. This ensures that the project has broad support and that the recipients have a significant financial stake in its success.

This year's Annual Appeal will focus on the West Gate Restoration, and a second plaque will celebrate the new generation of donors whose generosity make the 2024 restoration possible.

Chatillon-DeMenil Communiqué, Volume 2 - Fall 2023

Réveillon at the Mansion

Join us for Chatillon-DeMenil's Annual Member's Holiday Party or Réveillon at 6:00 pm on December 6th in the Mansion's double parlor.

Traditionally, following a day of fasting, Midnight Mass was held celebrating the birth of Jesus. This Réveillon closed out the year with feasting and singing and was often repeated on New Year’s Eve. The menu often included a Buche de Noel and lovely regional wines.

Réveillon is a special time of year in France and cities like St. Louis with a strong French tradition, a celebration enjoyed by people of all ages and faiths, a time to come together with loved ones and to enjoy the company of each other, as well as the delicious food and festive atmosphere.

In the French tradition of the Chatillons and the DeMenils, our celebration will include cocktails and refreshments beginning at 6:00 PM.

This event is open to all Chatillon-Demenil members. If you would like to celebrate the season with us, and are not yet a member, join online at DeMenil.org. Inexpensive gift memberships will be available at the door for your invited guests. Our Christmas party is a way to thank you for your support and to show you how much you are valued.

Sign up below for our newsletters and other announcements of programs and performances at Chatillon-DeMenil.

Madame DeMenil’s menu for Réveillon


A Visit from Chatillon-DeMenil's 1967 Caretakers

The young couple who lived at the Mansion in the 1960s as caretakers and docents recently paid us a visit from their home in Florida to promote their charity, the Mary Alice Education Fund, at local high schools.

Sharon and Bob Alexander were juniors at Washington University in St. Louis in the spring of 1967. They had graduated from high school in Montana, and Sharon had been at WashU when Bob entered as a senior and they found each other.

When they graduated, Bob got a job teaching biology in St. Louis and Sharon started teaching English at Southwest High School where she taught for five or six years while they each pursued advanced degrees. They stayed in St. Louis until 1974 when they both got their doctoral degrees.

Sharon and Bob Alexander with our mascot, Lulu

Over their careers they developed expertise in college admissions, financial aid, and raising SAT and ACT test scores. Their education fund’s mission is to make sure that kids whose families don't have resources have access to those services.

While pursuing their degrees at WashU, the Alexanders were hired by Chapin Newhard and the Board to maintain a presence in the mansion and to act as the face of DeMenil. Sharon gave tours three days a week, and Bob was the groundskeeper, keeping the lawn trimmed with a non-motorized lawnmower. On Sundays, Bob did some of the tours while Sharon studied; she conducted tours on Saturdays. As they recall, the mansion was open at least five days, maybe six a week, and closed Monday and Tuesday.

As for the years after St. Louis, they moved to Jacksonville, Florida, Washington, DC, Charlotte, NC, and then to Miami, Fort Lauderdale, and Orlando. Bob rose in the testing business until becoming manager of Kaplan Test Prep in the Southeast. Sharon worked for numerous school districts showing top-10 students how to navigate the college admissions process. They are now semi-retired and live in Ft. Pierce, Florida.


Ladue Garden Club Reception

On the evening of September 14th, the Board of Directors of DeMenil entertained two dozen members of the Ladue Garden Club and their spouses at a cocktail party as a thank you for the Club's financial and physical support over the years.

The foci of the Garden Club's support were the hydrangea beds to the east and north of the Carriage House patio, the arborvitae to the east, and the boxwood edged rose beds at our western entrance.

Our hydrangea garden is a beautiful and vibrant oasis that can be enjoyed throughout the summer and fall. With their large, colorful white and pale green blooms, our hydrangeas were in full late summer bloom and formed a vibrant backdrop to the party, attended by many members who were new to the gardens of the Chatillon-DeMenil Mansion. LGC member Gay Goessling was instrumental in the planning and planting of the hydrangeas in the Spring of 2011.

Members of the Ladue Garden Club

To the east of the hydrangeas, bordering the iron fence along the Interstate, march a row of twenty arborvitae, another gift of the Ladue Garden Club. Planted close together, their dense foliage creates a solid wall of green blocking out the rush of traffic, creating a sense of privacy unusual in the city. The Ladue arborvitae, planned by Tim Rohan, also help to reduce noise pollution, making the DeMenil patio and backyard a more peaceful place to relax, their evergreen foliage providing a touch of green year-round.

Replacing a pair of crabapple trees that blocked the view of the Mansion’s west façade, boxwood delineated rose gardens now welcome visitors to our DeMenil Place entrance. Designed by Mary Hayward, the rose gardens were made possible by another Ladue Garden Club grant.


Pianoforte Recital by Daniel Adam Maltz

On Saturday and Sunday, September 16th and 17th, Chatillon-DeMenil played host to a pair of piantoforte recitals by renowned Viennese based performer Daniel Adam Maltz featuring the music of Mozart and Haydn. Daniel specializes in Wiener Klassik — Viennese Classicism — especially the works of Haydn, Mozart, and Beethoven performed on the Viennese fortepianos of their time, very different from modern Steinways, as we learned to our delight on Saturday and Sunday.

Our audiences enjoyed Haydn and Mozart’s piano sonatas performed as they intended them to be heard — in a private home on a period instrument. During the Classical era in Vienna, composers expected their keyboard music to entertain relatively small audiences in more intimate settings than today’s large concert halls. The Chatillon-DeMenil double parlor was the perfect setting for our Fall Concert.

Daniel made his Carnegie Hall (Weill) debut at age 22 and is in demand worldwide with 50+ tour dates per year as a sought-after soloist, Lieder accompanist, and clinician. Daniel also hosts Classical Cake, the podcast about Viennese classical music and culture.

Fitting in a St. Louis visit to initiate our Fall Concert Series between tour dates in Normal, IL and Richmond, VA, Daniel explained the differences between a modern and a fortepiano, including a smaller range of notes (50-60 keys instead of 88) and construction primarily of wood (cedar) and other non-industrial materials. The Viennese pianofortes were responsible for much of the music created during the Classical and Romantic eras.

Daniel demonstrated his ability to play with great precision and power, filling the double parlor with a range of emotions, but he also was able to interpret Haydn’s and Mozart’s compositions with depth and sensitivity, bringing his audiences along the path toward standing ovations at the end of each performance. All four pieces, two by Mozart and two by Haydn, employed the sonata form, often considered to be the most demanding and challenging formats to perform.

Daniel delighted both his Saturday and Sunday audiences with his mastery of his craft and the brilliance of the two composers.

Light refreshments were served after each recital, and the audiences had a chance to meet Daniel in person and discover our latest delightful visitor to the Chatillon-DeMenil Mansion.


St. Louis Bourbon Festival Comes to DeMenil

On Friday, October 6th, the St. Louis Bourbon Festival, will be at DeMenil for a 2nd year, hosted by the St. Louis Bourbon Society. The three city block festival will include live music (in our Carriage House), street performers, food trucks, a scotch and cigar patio (on our patio) as well as hundreds of whiskies that are sure to make for an exciting evening of fellowship in the spirit.

Founded in 2016, the St. Louis Bourbon Society has grown from a group of a few hundred people who wanted to discuss bourbon and drink together into one of the most interactive Bourbon groups in the country. With nearly 12,000 enthusiasts who are passionate about their Bourbon, they continue to connect with one another across the region.

More than just a place to discuss, the St. Louis Bourbon society hosts multiple tastings, bottle shares and events throughout the year featuring brands, ambassadors, hall of famers and master distillers from across the country.

More than just whiskey, every event the SLBS hosts also has a charitable component with a mission of creating fellowship and giving back to the communities in which we live. A portion of the ticket proceeds will benefit the St Louis Hero Network for First Responders

At 6:00 pm, Bryan Smith, the Master distiller at Hard Truth Distillery in Indiana, will discuss and offer tastings of their Sweet Mash Rye and their new High Road Expression in the Carriage House.

At 8:00 pm in the Carriage House, Bernie Lubbers and his guitar, from Heaven Hill Whiskey in Bardstown, Kentucky, will tell the story of the Evolution of Bourbon from the 1700s unaged corn whiskey to matured corn whiskey of early 1800s and how wheat found its way into recipes in the 1800s. Explore with Bernie the Bottle in Bond Act of 1897, a watershed moment for Bourbon. Learn about the Amish bourbon which disappeared forever until the small batch and single barrel bourbons started the new renaissance of bourbon we are in today.

At the heart of the festival is bourbon, a name that derives from the French Bourbon family, although the precise source of inspiration is uncertain; contenders include Bourbon County in Kentucky and Bourbon Street in New Orleans, both of which are named after the House of Bourbon.

For information and tickets, visit www.stlouisbourbonfestival.com


DeMenil House Foundation

Board of Directors

Mary Hayward, President

Mary Stiritz, Vice President

Joe Carpenter, Treasurer

Tom Grady, Secretary

Ted Atwood, Director

Ward Buckner, Director

Jane Chouteau, Director

Bill Hart, Director

Shashi Palamand, Director

Tim Rohan, Director

 

Bill Stanard, Executive Director

Published October 2023

Chatillon-DeMenil Communiqué, Volume 1 - Summer 2023

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Henri Chatillon's Hawken Rifle

Workmen undertaking extensive restoration of the Mansion in the 1960s made an amazing discovery. While repairing the attic in what had been the original Chatillon part of the structure, they came upon a mysterious canvas painting wrapped around a muzzle-loading rifle.

Henri Chatillon’s Hawken rifle was a gift from Francis Parkman, author of The Oregon Trail

The painting was identified later as an allegorical memorial to Bear Robe, Henri Chatillon’s first wife, an Oglala Sioux, who died in 1846 while Henri was on an expedition. It shows a portrait of Bear Robe, a figure of a horse, which in her tradition would carry the spirit of the deceased to the next world, and a likeness of Chatillon and their daughter. The painting is on display today in the Mansion.

The rifle was identified at the time as a Hawken rifle, the “rifle that tamed the West.” which was made in St. Louis by Jacob and Samuel Hawken, sons of a Pennsylvania rifle-smith. Their rifles were famous for their accuracy, long range and comparatively light weight. They were designed for the needs of Rocky Mountain fur trappers, traders and explorers. They became synonymous with the term “mountain rifle” and were individually made, not mass-produced.

Davy Crockett, Daniel Boone, Kit Carson, Robert Campbell, Jim Bridger and Francis Parkman, Jr. are just some of the famous men who owned one.

Parkman, a 22 year old recent graduate of Harvard with a degree in Law, came to St. Louis to prepare for a trip through the American West to hunt and to observe Native Americans. While he was here, he ordered a Hawken rifle and he selected Henri Chatillon to be his guide.

Chatillon was employed as a trapper, guide and hunter for the Laclede-Chouteau fur trading operation. It is said that he could stand in the stirrups of a racing horse and shoot down a buffalo.

Upon his return from his expedition, Parkman presented his rifle to Chatillon, his “true-hearted friend”, as an expression of friendship and as a token of his appreciation for his services.

Parkman’s account of his exploration through the West was published as The Oregon Trail: Sketches of Prairie and Rocky-Mountain Life.

The Hawken House Museum in Webster Groves was built by one of Jacob’s sons, Christopher Hawken.

Bill Stanard, the Executive Director of the Foundation, has obtained a replica of a Hawken rifle and visitors to the Mansion will have an opportunity to hold this copy of what must have been Chatillon’s prized possession.

Sadly, the present location of the rifle found in the attic is unknown.

--Wardwell Buckner




In the Tradition: Bastille Day in St. Louis and at DeMenil

Bastille Day celebrations in St. Louis, Missouri, in the 19th century were a time of great excitement and festivity. The French Revolution was a source of great inspiration for many Americans, and Bastille Day was seen as a celebration of liberty and democracy.

The first Bastille Day celebration in St. Louis was held in 1803, just a few years after the Louisiana Purchase. The event was organized by a group of French immigrants and was held at the city's first Catholic church, the Cathedral of St. Louis. The celebration included a parade, speeches, and a fireworks display.

In the years that followed, Bastille Day celebrations in St. Louis became increasingly elaborate. By the mid-19th century, the city was home to a large and vibrant French community, and Bastille Day was one of the biggest holidays of the year. The celebrations typically included a parade, a picnic, and a fireworks display.

Alexander DeMenil greatly expanded family leadership in the Bastille Day event, playing a prominent role over a period of four decades. In 1896, he organized Sociéte du 14 Juillet, a group from the local French community dedicated to preparing for the annual celebration often held at Lemp’s Park (now Cherokee Park) located a block north of the DeMenil House.

Celebrations in St. Louis reached their peak in the late 19th century. In 1889, the city celebrated the centennial of the French Revolution with a massive celebration that included a parade, a concert, and a fireworks display. The event drew over 100,000 people and was widely considered to be one of the most successful Bastille Day celebrations in American history.

There are many different ways to celebrate Bastille Day, from attending a parade or festival to simply enjoying a French meal. It's a great way to learn more about French culture and to show your support for our enduring relationship with modern-day France.

On July 16th at 1 pm, join us at the Mansion for our yearly celebration with liquid refreshment, a special reading of the Rights of Man, a demonstration of French Courtly dance, a chance to fire a flintlock rifle, and the meeting of Marie Antoinette and Mme Gillotine. For tickets, visit www. demenil.org/event-tickets


With a Little Help from our Friends

With the aid of generous multi-year funding from the Ladue Garden Club, a major renewal has taken place reshaping the gardens along the street fence lines which surround the Mansion to the west, south and east.

On the west fence line, the two beds flanking the DeMenil Place entrance have become rose gardens following a Creole inspired design by Mary Hayward consisting of coral, peach, and white drift roses, a type of rose that is bred to be a groundcover.

Rose beds under construction

They are compact, low-growing, repeat-blooming, and have a long bloom season. Mary chose them because they are particularly disease resistant and relatively low maintenance. In the center of each rosebed stands a boxwood tri-sphere topiary.

Seen from the back balcony

They fill the space previously occupied by two overgrown crabapple trees which blocked the view of the Mansion from the street. The two beds are outlined by a boxwood hedge composed of 90 boxwoods.

On the east side of the Mansion, the completely overgrown bed at the intersection of Cherokee Street and the I-55 onramp has been cleared following a design by Tim Rohan. Holly bushes have been planted along the fence and will be kept low to preserve the view of the Mansion from the highway, the best remaining vista of the Mansion’s Ionic columned portico since the Interstate was built.

The eastern fence line along the I-55 ramp presents problems. While the best view of the Mansion is from the on-ramp (closed during highway repairs and perhaps soon to be abandoned), the worst view of traffic on the ramp and the highway from the Mansion’s grounds is just a little further along the ramp.

Tim Rohan’s design solves the problem of opening a view on one end and blocking it on the other end. Further north along the highway, additional trees were planted earlier this spring to fill gaps between existing trees in order to provide a dense hedge blocking the view of the highway from the Mansion’s grounds.


Bear Robe Painting Image Enhanced

There are a few reasons why old oil paintings, like our portrait of Bear Robe, Henri Chatillon's Oglala Sioux wife, look so dark.

The pigments used in old oil paintings made from natural materials, such as ochre or indigo were not as bright as the pigments used today. Also, The varnishes that were used to protect old oil paintings yellowed over time.

Bear Robe canvas after enhancing for clarity

In recent years, there has been a growing interest in restoring our Bear Robe portrait, but the expense of a full restoration of the c. 1848 oil is prohibitive.

We contacted a number of artists in the St. Louis area, and they pointed us towards a high tech solution called a giclée. A giclée is a high-quality, archival inkjet print made from a digital file. The term giclée is derived from the French word gicleur, which means "to spray". Giclees are often used to reproduce fine art or photography.

A master of the giclee, Jim Robbins at Velham Printing used a digital scanner to digitize the Bear Robe painting, allowing him to work on the image in a digital format, an easier and more versatile method than working with a physical painting and non-destructive to the original canvas.

Using a photo editing program to adjust the colors, contrast, and brightness of the image, he edited the original painting's image, printed the painting on an actual canvas, and stretched it on a frame the same size as the original. As you can see from the enhanced images, Bear Robe's portrait takes on new life as the record of two American originals, Henri Chatillon and Bear Robe.

Bear Robe’s white horse for mobility in her afterlife


DeMenil House Foundation

Board of Directors

Mary Hayward, President

Mary Stiritz, Vice President

Joe Carpenter, Treasurer

Tom Grady, Secretary

Ted Atwood, Director

Ward Buckner, Director

Jane Chouteau, Director

Bill Hart, Director

Shashi Palamand, Director

Tim Rohan, Director

Bill Stanard, Executive Director

Published August 2023